art

Experiencing Your Moment

By Madi Wachsmuth, Spring 2018 Conservation Education Intern
Hawk Mountain Sanctuary

Stop and Look

When I first set foot on the mountain top as Hawk Mountain’s new spring education intern, I wanted to explore and embrace the land that would become my home for the coming months.  I arrived in the early morning on a cold February day, and at that time, the mountain was engulfed within a cloud. The world around me was shrouded in fog and shadows. As I wandered the trails around the sanctuary, I discovered statues and gardens that seemed to sleep under a blanket of snow in the grey pale morning. The amphitheatre, though empty, held a promise of spring days to come when it would be filled with visitors, eager to learn and see all that the mountain top has to offer.

I then decided to venture up towards the South Lookout. As I wandered up the path, I saw in the distance two posts at the trailhead.  The posts stood erect with a single word written on each, ‘Stop’ and ‘Look’. The words themselves halted me in my path. I was impressed with the precise power of those two simple words. I began to reflect on those columns, their wise mantra filling me with excitement, curiosity and wonder.  What laid in wait before me? What would I bear witness to on the misty mountain top? In that moment, I made a promise to myself that I would live and experience as much as I could in the coming months.

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I wrote ‘Stop and Look’ 3 months ago, at the start of my internship.  You can imagine my surprise and slight embarrassment when I realized that the posts in the story were actually just for a pedestrian road crossing. But in that moment those words held a higher meaning to me in both heart and mind.  When I see them, they still hold that same meaning that they did on that misty morning. To me, they will forever be moving words of guidance for the wandering traveler.

Now summer is just around the corner.  That cold breath of winter is a distant memory. This internship has truly gone by in a flash, and it was filled with plenty of twists and surprises.  In the beginning, I promised myself that I would take it one step at a time because all too often we think only in terms of destinations and deadlines, missing the experience of the journey.  In the blink of an eye the moment has past, and we are onto the next. This is why I believe that taking the opportunity to not only experience but document the finite and fleeting moments in life is so important.   

Some people may let landscapes inspire them to create art in forms of poetry, drawings, photography. One person's art can even become a muse for others seeking inspiration.  Others prefer to chronicle sightings or the changes that they notice in the world around them. Birders in particular keep detailed lists of sightings in hopes of tracking the seasonal movements of animals or the growth of plants.  I recently met a 3 year old with his very own life list and was very impressed to see him identifying songbirds at our bird feeders with his grandmother. This boy would grow up with an appreciation and understanding of the world around him that many of his peers would not.  These catalogs help us to see the beautifully intricate patterns that surround us as the years go by.

Whether you find yourself on the mountain top for reasons of inspiration, enrichment, or investigation, there’s bound to be something amazing for all to find. So bring your camera, or a notepad and try some new form of expression.  Let the world around inspire you, and experience your moment for what it is: one of a kind.

Madi with summer education interns Zoe and Karissa. 

Madi with summer education interns Zoe and Karissa. 

Eyes Up and Open

By Abigail DeVizia, 2017 Hawk Mountain Artist in Residence

In April of 2017, I was preparing to graduate from Kutztown University. With only one month left, all of my remaining energy was focused on soaking up any knowledge and practice I could get out of my last few weeks of classes. My professors often encouraged us to find new languages and meanings for our artwork, but I was always focused on the question of how I was going to start an art career after school.  Luckily for me, I had helpful advisers that suggested the first step: apply for the Hawk Mountain Artist Residency.

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By August, I had moved into the Acopian Center for Conservation Learning alongside a few education interns and trainees. In the beginning of my two month stay, most of my time was spent driving and taking pictures.  I photographed gas stations, overgrown backyards, and some quiet factories for reference. I was accustomed to painting in my familiar language—tattered, small town landscape—despite being surrounded by a grand new landscape full of life.  But, as expected, plans change. I considered painting the sociopolitical exchange between Berks and Schuylkill inhabitants, but after a couple weeks, I realized that this was neither compelling nor could it be explained well without painting the people themselves. I was, however, still interested in the image of the two counties dividing the mountain in half, and how differently they appear.  One was comforting and folksy with wide farm fields, and the other was commercial with numerous strip malls, restaurants and supermarkets.  But something still felt missing.

Day by day, I did a mixture of drawing, hiking, painting, and photographing.  Being a part of this environment, where every day the interns were discussing migration, the daily bird sightings, and the importance of conservation, I was noticing the small glimpses of life.  I hiked the mountain on my own and observed that everyone, from the experienced birder to the novice visitor, was interested in learning about the raptors.  All of this was new to me because, prior to my stay, wildlife painting was not as meaningful to me; yet now, I wanted to talk about it.  I wanted to learn how raptors travelled, how they hunted, when I could see them.  I knew that my paintings would have to focus on the migration. 

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When the interns returned to the residence, I would often ask them about the birds they saw that day.  They told me what was travelling through the area and how to identify raptors, and I would look for them when I photographed.  Unsurprisingly, certain birds would make their way into my paintings.  Every new painting made me think about what bird was active at that time, or what kind of raptor would be common in the scene I was forming.  For example, I labored for weeks on one watercolor that was filled with branches, flora and tall grass, but in this scene, I was drawn to a white fence that felt like a perfect place for something to be perched.  I asked many of the resident scientists what would be seen sitting so obviously in the open, and was the right size for the fence.  All of them agreed that a Coopers Hawk would be the perfect fit, so I painted a Cooper’s Hawk looming over its prey.  It was finally concrete in my mind that all of my work was a spotlight on the raptors and the unique places they inhabit.  

I decided to take advantage of my location and began painting on site.  I painted at North Lookout a few times to make a rather simple but warm depiction of the rising sun.  This inspired me to start painting the other lookouts and expand the flow of this series to include sites from the Mountain. 

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Each lookout, such as North Lookout, the Kettle View, the River of Rocks, and the Lookout Trail, offered insight into the geographic layout of the land.  These sights from Hawk Mountain's own trails bind together the paintings from off the Mountain and showcase that raptors have traveled hundreds of miles to make a temporary home with us in our wildly varying landscape.  This is the idea that countries, states, and counties are all sharing the opportunity to look up and experience the birds during migration, and now I have the opportunity to share those glimpses in visually compelling ways.  

What the Sanctuary offered to me was an invested look into how birds are counted, identified, and studied every day. It taught me to be open-minded with my plans, and never closed off to changing my inspiration.  I always felt that I painted subjects that were underappreciated, and now I know to keep my eyes up to the things that I myself have ignored.  Thanks to the work of many, I can share what should be adored in the quiet Pennsylvania landscape of Hawk Mountain, and a new love of wildlife and narrative.  Hawk Mountain Sanctuary brings joy to visitors on a daily basis, and I am proud to say that now, I can bring this joy wherever I go.

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Come and experience the incredible series of work that Abby created during her time at the Sanctuary at her art show entitled "Sharing the Birds," which will be on display in the Hawk Mountain Visitor Center Gallery from August 19 to September 15, 2018. It will be free and open to the public.

All photos and art by Abigail DeVizia. 

All photos and art by Abigail DeVizia.